Shell Dooley
Artist Gonny van Hulst
Miriam Ross – Creator of The Body Journey Project
“Consumed by Sadness” by Daniella Fishburne
The Lover – Imogen Hudson Clayton – Photography by Samuel Black Photography
Lánre Photographed by Jendella
Deloria ManyGreyHorses’s Daughter
“I would like to thank your organization (ASLI) for noticing and selecting my art piece for this campaign. It is a great honour to participate in such exciting project.” http://www.ildikonovaart.weebly.com
Deloria ManyGreyHorses and her Daughter
LAURA GRACE WELDON and her dog Winston
Imogen Hudson Clayton – Photography by by Sipke
-title: Roma Girl – size: 9″x 11″ or 23 cm x 28 cm -media: watercolour on watercolour paper -year: 2009 -description: a portrait of an anxious, sad Romani Girl -comment: 2nd Prize Winner of the City of Toronto Frankly Bob Award, 2009
Erin Jack Art
Casey Bruce
Struggle by Clarisse Pastor-Medina
By Megan Amelie Jack Age 7 Manchester, UK
Artist ZARA SLATTERY
“Childhood Dreams Grow” by Tina Struthers
Artist Tina Struthers
Dancer Ruby Al-Faqir,28 , Dubai, UAE.
Natalie Raven Live Artist and Researcher “Body-Cloth” Photography by Steven Paige
Alison Tate
“Childhood Dreams Grow” by Tina Struthers http://www.tinastruthers.com Education for girls and young women. The hearts of all children are full of dreams, and the magic of all the possibilities in the world. We need to take responsibility to help nurture and nourish the dreams of all young girls, to help them to develop and grow into woman that can be independent, make their own choices, and ultimately make a difference to the world! Woman that will weave together our society, and makes it whole, woman that hold families together and thus transfer and protect the incredible wealth of diverse cultural heritage around the world, for future generations. By empowering girls and young woman with education, and skills, we give them an opportunity to be, to grow wings, and to take flight. Mixed media textile instillation: The instillation portrays a young girl ( universal), pulling her dreams with her. With education the world becomes a truly is a magical place.
The Body Journey Project
Mandirigma in Stilettos (Warrior in Stilettos) by Clarisse Pastor-Medina A coffee painting done in collaboration with Rex Gatdula (tattoo design) This is part of my coffee painting series called BIAK: Explorations of Filipino Heritage, Identity, Immigration and Assimilatio
Photographer Daniella Fishburne
Love & Hate 2012 Size: Life-size knuckledusters Medium: Lost-wax cast pink glass, rhinestone crystals, metal, lacquer & wood
BROKEN PROMISES 2012 Size: Life-size knuckledusters Medium: Lost-wax cast clear glass, metal, lacquer & wood
The Body Journey Project
The Body Journey Project
A faded poster of Klimt’s, The Kiss, hangs on the kitchen wall – an idealised symbol of desire and intimacy, bought and displayed in ones youth. Klimt Soup challenges Klimt’s representation of womanhood, reclaiming her and his depiction of the older woman. By ZARA SLATTERY
SILENT GUILT, QUIET ACCEPTANCE: The Story of a Stillbirth Survivor by Clarisse Pastor-Medina
LAURA GRACE WELDON
Artist Gonny van Hulst
Tahmineh Monzavi and Marjan Vahdat on the rooftops in Tehran, Iran
The Worker – Imogen Hudson Clayton – Photography by Samuel Black Photography
Natalie Raven Live Artist and Researcher “Body-Cloth” Photography by Steven Paige
By Charlotte Farhan
Lumanova
Natalie Raven Live Artist and Researcher “Body-Cloth” Photography by Steven Paige
“Laya” (Freedom/Free) by Clarisse Pastor-Medina
MOO | Monika Mori web http://www.mori-art.at
NO HARD FEELINGS! 2012 Size: W.17 x H.17 x D.14cm Medium: Box-cast clear glass, metal, wood, faux-fur & LED lights
Eman Desouky Allam Dimensions: 50×50 cm Material:Collage
Lumanova
By Jacklyn Janeksela Art Merge
Jennifer Vogel
A faded poster of Klimt’s, The Kiss, hangs on the kitchen wall – an idealised symbol of desire and intimacy, bought and displayed in ones youth. Klimt Soup challenges Klimt’s representation of womanhood, reclaiming her and his depiction of the older woman. By ZARA SLATTERY
Erin Jack Art
NO HARD FEELINGS! 2012 Size: W.17 x H.17 x D.14cm Medium: Box-cast clear glass, metal, wood, faux-fur & LED lights
Ruby Al-Faqir, India DIWALI FROM US TO THE WORLD – Creating colored sand Mandalas.. expanding our Consciousness.. connecting to the universe
A faded poster of Klimt’s, The Kiss, hangs on the kitchen wall – an idealised symbol of desire and intimacy, bought and displayed in ones youth. Klimt Soup challenges Klimt’s representation of womanhood, reclaiming her and his depiction of the older woman. By ZARA SLATTERY
Lumanova – Suzana Barbosa, Mike Dell and Randall Savoie
Ruby Al-Faqir, India DIWALI FROM US TO THE WORLD – Creating colored sand Mandalas.. expanding our Consciousness.. connecting to the universe
The Body Journey Project
Lánre Photography By Jendella Hallam Benson
Jacklyn Janeksela
Natalie Raven Live Artist and Researcher “Body-Cloth” Photography by Steven Paige
By Jacklyn Janeksela Art Merge
Change is Beautiful by Clarisse Pastor-Medina
Shell Dooley
A Kiss From Your Lips – Still
Hiding Hands, Antlers Never by Clarisse Pastor-Medina
Karen Kobel
Imogen Hudson Clayton – Photography by by Sipke
Art By Angela O’Kelly
The Mother – Imogen Hudson Clayton – Photography by Samuel Black Photography
Tahmineh Monzavi
“Frauenrechte” – Women´s Rights – stands for the reduction of women to a sexual object and that women aren´t allowed having an opinion and a point of view of their own in a sarcastic way. 2014 – Collage on paper – Size 21 x 30 cm
By Charlotte Farhan
The Body Journey Project
By Jacklyn Janeksela This is not the devil-it is your mind that creates negativity from an inanimate object and whispers bullshit. this is a long piece of plastic or cloth with printed numbers used for measurement. that’s all it is. it is not an instrument to compare you with a younger, slimmer you; to compare you with certain shit standards of beauty. you are beautiful, your body is beautiful-don’t let this object decide your beauty.
Artist Maria Lloyd
Imogen Hudson Clayton
Megan Jack
Lumanova – Suzana Barbosa, Mike Dell and Randall Savoie
Queen Different by Clarisse Pastor-Medina
Suzana Barbosa Lumanova
Karen Kobel
The Body Journey Project
A Kiss From Your Lips – Still
A Kiss From Your Lips – behind the scenes
Natalie Raven Live Artist and Researcher “Body-Cloth” Photography by Steven Paige
Dancer Ruby Al-Faqir,28 , Dubai, UAE.
Artist Coralie Girard
The Mother, The Worker and The Lover – Imogen Hudson Clayton – Photography by Samuel Black Photography
Natalie Raven Live Artist and Researcher “Body-Cloth” Photography by Steven Paige
Dancer Ruby Al-Faqir,28 , Dubai, UAE.
Alison Tate
Art By Angela O’Kelly
Everlution By ZARA SLATTERY plays on the theme of the ‘Evolution of Man’, and briefly draws on my life as a woman, from infant to a one-legged survivor of Necrotizing Myositis. The white dress represents the steadfastness of self throughout the different stages of womanhood.
The Body Journey Project
Dancer Ruby Al-Faqir,28 , Dubai, UAE.
The Secrets of the Forest by Clarisse Pastor-Medina
Dancer Ruby Al-Faqir,28 , Dubai, UAE.
Natalie Raven Live Artist and Researcher “Body-Cloth” Photography by Steven Paige
Natalie Raven Live Artist and Researcher “Body-Cloth” Photography by Steven Paige
By Jacklyn Janeksela This is the index finger. it does many things like help me open cans and write. it does many things like judge and hate. it can smooth on lip gloss to make me pretty, then point to a bulging belly. it can twirl a piece of hair, then laught at what i wear. this is the index finger i point at myself. how to make the index more compassionate. how to make it hush its mouth. how to make it more positive.
By Jacklyn Janeksela Art Merge
A faded poster of Klimt’s, The Kiss, hangs on the kitchen wall – an idealised symbol of desire and intimacy, bought and displayed in ones youth. Klimt Soup challenges Klimt’s representation of womanhood, reclaiming her and his depiction of the older woman. By ZARA SLATTERY
By Jacklyn Janeksela I have used this fork so i will eat less. i have used this fork so i look more feminine and dainty. i have used this fork to punish myself. eating is not bad, calories are not bad, sugar is not bad. bad is what i do with these concepts in my mind. bad is how i allow them to transform my body. i deserve to eat. i deserve calories and sugar. i deserve a bigger for
By Jacklyn Janeksela I have used this fork so i will eat less. i have used this fork so i look more feminine and dainty. i have used this fork to punish myself. eating is not bad, calories are not bad, sugar is not bad. bad is what i do with these concepts in my mind. bad is how i allow them to transform my body. i deserve to eat. i deserve calories and sugar. i deserve a bigger for
Leah Casey
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